The Entrée of the Musée des Arts Décoratifs in Paris with the imitated façade of the house on Avenue Montaigne, where even today atelier and flagshipstore of Dior are located: Bonjour, Christian Dior!

As a teenager, I was enthusiastic about “Miss Dior”, a fragrance that Christian Dior launched as the first perfume of Dior in 1947. My godmother gave me the perfume classic for my 16th birthday. My first luxury accessory, which flowery note I still have in my nose today. At the moment the Christian Dior exhibition “Couturier du Rêve”, which not only reminds of the perfume history of Dior, is running in Paris. The exhibition is devoted to the life and work of the haute couture master, whose empire turned 70 years on July 5.

Christian Dior loved the opulence, both in the interior and in his clothes creations

For me it was clear to go to Paris: This show cannot be missed as an art and fashion affine person. I had heard from friends that endless visitors were winding around the northern part of the Louvre, where more than 300 haute couture robes from seven decades were displayed in the Musée des Arts Décoratifs on 3,000 square meters. With my online ticket, I quickly passed the queue, into an exhibition that took me for hours on a spectacular journey through the decades of French luxury.

The garden theme with dresses by different Dior designers in floral prints and applications. The pink bustier dress (center) is a creation by Christian Dior, left Raf Simons, to the right Maria Grazia Chiuri

A retrospective of the history of one of the most important couture houses with personal letters and photos – also unpublished private photographs of Christian Dior, first fashion drawings and designs, campaign pictures and videos, accessories such as bags, shoes, jewelery and the legendary perfume bottles. The exhibition, which is divided into various conceptual spaces on themes such as the “flower dreams”, the “boudoir” or the “great evening gown”, begins with the collection debut of Christian Dior in 1947.

“Diablesse”: Red dress of Christian Dior’s collection debut in 1947

In addition to the partial robes of the great master, who died of a heart attack in 1957 at only 52 in southern France, the show also presents the successors of Dior. In the same year, his former assistant Yves Saint Laurent took over the fashion space that had been successfully established for a decade. He was followed by Marc Bohan, Gianfranco Ferré, John Galliano, Raf Simons and today’s chief designer Maria Grazia Chiuri. “Couturier du Rêve” is a tribute to one of the greatest fashion creators of all times, the legacy of Christian Dior, which impressively shows how the brand has influenced the fashion industry and the culture for decades. I am impressed. J’adore Dior.  BvH

A retrospective of the history of one of the most important couture houses with personal letters and photos – also unpublished private photographs of Christian Dior

About Christian Dior

Born in Normandy in 1905, Dior, who wanted to become an architect, began as a gallerist in Paris with financial support from his father, an industrialist. Due to the insolvency of his father’s company as a result of the global economic crisis in 1931, Dior first designed hat fashion for the fashion supplement of the newspaper Le Figaro and finally modèces for Parisian haute couture fashion houses. The fashion designer Robert Piguet drew attention to Dior and engaged the talented painter and draftsman in 1938. After the Second World War, Dior received from the wealthy textile manufacturer Marcel Boussac 60 million francs as starting capital for the establishment of the Haute Couture house Christian Dior. In the same year he moved his studio to the elegant Avenue Montaigne in Paris, where the Dior flagship store still is today. The first fashion collection, presented by Dior in February 1947, was a sensation and was celebrated by American journalists as “The New Look”. After the scanty, simple ladies’ wear of the war years, Dior created a narrow waist, figurative tops, wide, opulent skirts of noble materials, combined with elegant wagon-wheel hats and long gloves. Critics criticized the lavish use of scarce resources and a return to antiquated fashion in times of emancipating women, but Dior’s influence was considerable: Quickly his high-priced haute couture designs were copied from the mass market.

Black-and-white fashion photographs showing Dior models

With every season Dior presented a new ‘look’, always cheered by the fashion industry and the wealthy customers. The calyx-line was followed by the dome-, lily of the valley-, the pencil-, H-, A- and Y-lines. Dior’s creations contributed significantly to making Paris a fashion capital.

With numerous worldwide licenses – including perfumes – Dior built up an empire within a few years. He was considered reserved, shy, and humble, and felt uncomfortable in public affairs in society. His homosexuality was not addressed in the public at that time. In October 1957 Christian Dior died, presumably due to a heart attack. He was one of the most internationally renowned fashion designers and left a mark that was successfully developed under his successors.

One theme of the exhibition is devoted to the development of Dior perfumes – including their elaborate flacons

Tip:

Book your ticket for the exhibition online. This avoids waiting for hours. You need patience anyway, because there is a great deal of excitement in front of the individual exhibition pieces. Therefore also be cautious of pickpockets (living without my beloved cashmere scarf ever since). Plan sufficient time: It took me four hours to look at the exhibition.

So beautiful: On the left a design by Christian Dior from 1956, to the right of his successor Yves Saint Laurent from the year 1960

Info Christian Dior Exhibition:

The world’s largest Dior exhibition „Couturier du Rêve“  runs until the 7th of January 2018 at the Musée des Arts Décoratifs in Paris.

Christian Dior, who wanted to become an architect, began as a gallerist in Paris

He first designed hat fashion for the fashion supplement of the newspaper Le Figaro and finally modèces for Parisian haute couture fashion houses

One dress more beautiful than the other

Personalities such as the English Princess Margaret (Foto), Elizabeth Taylor, Grace Kelly, Marlene Dietrich and Lady Diana were dressed by the traditional house

Today, Jennifer Lawrence, Natalie Portman and Rihanna are among the fans of the Dior brand

Here are the designs by John Galliano (far back) and Raf Simons (middle) with a reminiscence of Christian Dior’s predilection for opulence

This part of the exhibition is devoted to colors: Accessories and clothing in white …

… black-and-white …

… Gray … and elaborately designed mini models, which show the respective design already in detail

… Orange …

… Red …

… Purple …

… in all nuances and shades …

… Blue …

… and Black

“Parfum is the finishing touch to any dress.”

One of my favorite gowns

Lush embroided evening peeptoe

And always John Galliano ..

… who fascinates me with his imaginative creations as here on the topic of the Far East. To the right a design by Christian Dior

John Galliano: “Thamar” and “Shéhérazade”, Spring-Summer 1998

The Garden topic in rose variations

… and Dior’s lily-of-the-valley line (far back) interpreted by his successors

This filigree embroidered floral gown is designed by Raf Simons

And once again John Galliano: Beyond beautiful, isn’t it?

On a journey with imperishable fashion from all Dior decades

Dior on the titles of international high-gloss magazines: “The photographs and drawings published in the magazines often present me with an entirely new light on my creations.”

They shaped the heritage of Christian Dior and represent the further development of the Dior style: Yves Saint Laurent

Marc Bohan

Gianfranco Ferré

John Galliano

Raf Simons

Maria Grazia Chiuri

“I wanted my dresses to be moulded to the contours of the female body.”

Atelier atmosphere with designs, which are first made of white nettle, which is demonstrated in this part of the exhibition of seamstresses

At the end of the exhibition, the real highlight is the spectacular presentation of a staging of lush elegance, light and sound installation. For this room alone one should plan half an hour

MyStylery in action – the world’s largest Dior exhibition “Couturier du Rêve” runs until the 7th of January 2018 at the Musée des Arts Décoratifs in Paris

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The Louis Vuitton-Exhibition “Volez, Voguez, Voyagez” (flying, sailing, traveling) is currently shown at the Grand Palais in Paris

I still remember my first Louis Vuitton-Handbag: the ‘Speedy’, a classical bag, which my grandmother gave me for my passed “Abitur” certificate. My pride and joy that I carried around like a trophy for years, a favorite bag full of memories that I could never get rid of.

“Mine”: The suitcase of Elizabeth Taylor

In fact I don’t really like bags with logos that others can see from 100 meters of distance. But a Louis-Vuitton bag presents a classical elegance and therefore has a special position beneath the ‘logo-bags’: That’s why I’m a fan and the reason for my visit to the ongoing exhibition “Volez, Voguez, Voyagez” at the Grand Palais in Paris. “Volez, Voguez, Vozagez” is a time journey through 160 years of Louis Vuitton’s success story and has been curated by prestigious fashion historian Olivier Saillard, who’s also the head of the new Parisian Fashion Museum in the Palais Galliera. For the opulent optic Saillard engaged artistic director and set designer Robert Carsen, who ensured a felicitous flamboyance at the Parisian exhibition “The Impressionism and the Fashion” with his design in 2014.

The young Louis Vuitton

Louis Vuitton, the son of a carpenter, was only 14 years old when he hit the road from the homey Jura to Paris in 1835. He temped for his subsistence during his journey, which is why it took him nearly two years until he reached the French capital. He found an apprenticeship at Rue Saint-Honoré, even then the street of the luxury addresses. In the age of 33 years Vuitton went into business by himself as a case maker. His packaging guaranteed a safe transport, even for the most fragile objects.

Louis Vuitton was the founder of the modern luggage. With his “Steamer Bag” (on the right) he firstly created a bag that was soft and flexible

What an ingenious idea to develop a material out of coated canvas and to provide it with the own initials. With this idea Louis Vuitton succeeded at the right time: those days mark the beginning of the Haute Couture and its adventurous wearers needed suitcases for every kind of travelling, from railway, automobile to ocean liner.

Louis Vuitton had also customized solutions for booklovers

The extraordinary client-wishes Louis Vuitton went after are unbelievable: XXL-suitcases for cruises, elaborate metal cases for expeditions or accurate boxes for the batons and valuable instruments of a collector. Between all the historical exhibits I also find lots of modern things, for example the beauty cases that have been designed by Nicolas Ghesquière in 2014. This kind of presentation underlines the timeless elegance of the Louis Vuitton-Collection. And I’m even happier about my Speedy. BvH

The typical Logo LV = Louis Vuitton

In the first room of the exhibition I could see all utensils of a wood workshop Louis Vuitton used to work with more than 150 years ago

Louis Vuitton’s personal suitcase showing his initials

I really liked the fact that you cannot only marvel into empty suitcases …

… Olivier Saillard filled the suitcases with authentic things of their time …

… from the evening gown of Elizabeth Taylor to antique picnic equipment

The exhibition covers nine topics and leads its visitors through temporal epochs …

… and opulent showrooms

Louis Vuitton was a coeval of Charles Frederick Worths, the inventor of Haute Couture …

… A mutual fertilization, as clients of the Parisian fashion houses Paul Poiret, Balenciaga or Christian Dior naturally also equipped themselves of Louis Vuitton

A catcher for the eye: one compartment of the orient express has been rebuilt for the exhibition following the former world exhibition in Paris, where visitors sat in train compartments and saw drawn landscapes rolling past

Also Lauren Bacall, Greta Garbo and Katharine Hepburn were fans of Louis Vuitton

A collection of old Louis Vuitton perfume bottles

Travel cases and bags in all sizes and for every occasion – also for air journeys

In the beginning of the 20th century his idea of travelling was yet very exciting and new

The exhibited suitcases are lovingly decorated with old accessories

Original locks by Louis Vuitton

In 1997 the “ready to wear”-collection officially became part of the Louis Vuitton collections and Marc Jacobs was named the first designer

Protective cases were designed by the trunkmaker Vuitton, whether for fragile and delicate musical instruments or a vinyl record-collection

The LV-Logo in colors

Until February 21: The exhibition “Volez, Voguez, Voyagez” can be seen at the Grand Palais, which was built in 1900 in Paris for one of the most spectacular World Exhibitions with 48 million visitors

For more information:

http://de.louisvuitton.com/deu-de/grand-palais/grand-palais#/home

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