Awesome: The Sheats-Goldstein Residence at night*

Since the 90s TV-Series “Beverly Hills, 90210”, one knows that this address is one of the most elegant ones in California. In this top quality location the Hollywood stars are next-door neighbors. Here lives the US-American real estate mogul James Goldstein, an eccentric fashion- and basketball enthusiast, who sits in the first row of every international fashion show and whose best friends are the top players of the NBA-League; a secret monger when it’s about his age or how he made his money. In the hills of Benedict Canyon, the cosmopolitan lives in a puristic villa with concrete triangles, steel beam and glass rhombus and overlooks Los Angeles from here, on good days even to the Pacific. 1963, on behalf of the couple Helen and Paul Sheat, the house was built by the architect John Lautner, until Goldstein acquired it in the 70s and, since then, continuously reconstructed.

Stunning view from the pool terrace to Los Angeles, on the horizon, the skyscrapers of downtown

The living room with a breathtaking view of Los Angeles*

The most beautiful tennis court of Los Angeles: let’s take a pic!

James Goldstein, expert for fashion, architecture and basketball

MyStylery: Jim, is your neighbor Rupert Murdoch actually still speaking to you? You buy off the whole region successively and expect the residents to put up with continual construction sites and the associated background noises.
James Goldstein (laughs): True! I’m not really making myself pleasant. The new project – Club James – is nearly done. Then it will be quite relaxed again. And also, after all these years I’ve never really seen Rupert Murdoch anyway.
MS: To build the new grounds, you took down the house which stood on there. Now there is a new construction with guest rooms and a nightclub, above all a tennis court. Why the private nightclub?
JG: There are no good clubs in LA, so I needed my own one. And the first parties where well received by my guests like Quentin Tarantino or Karolina Kurkova.

Five years ago still under construction: Nightclub James

Infront of the glazed bedroom with it’s completly opened windows, there is an outside whirlpool

MS: Why would one buy a house which is constantly in renovation?
JG: I love changes. The actual reason for buying the house was my afghan dog Natasha, the love of my life. These dogs love to run. Therefore I needed more space. So I thought this house would be the ideal. Also I’ve always been a big fan of the architecture of Frank Lloyd Wrights, who is from Wisconsin just like me. Coincidentally I was able to buy this house in 1972 and showed it John Lautner, one of Wrights’ pupils. He was shocked about the conditions and what the former owner had changed. They nearly destroyed the house, as they painted the concrete roof green and yellow. This is how our 15-year collaboration started, in which we transferred inside and outside of the house into its original condition, until John died. Now I work together with Duncan Nicholson.

Kitchen and counter were also designed by designer-legend John Lautner

MS: In the kitchen, the dining room and bathrooms one can now retract the sealing electronically, in the entrance hall there is a koi pond including a water fountain, the windows of your bedroom can be retracted as well… All this sounds pretty elaborate and expensive.
JG: Still there had never been a budget. It should always be realized, what is best for the house. This also applies to the new nightclub.
MS: Three Angels for Charly and The Big Lebowski – your house already served many film productions as a setting…
JG: … and Snoop Dogg got his music video produced here. Yes, this gave me a kick. I don’t open the house due to monetary reasons. I just want to have fun.  BvH

The dining room with a concrete and glass table and chrome leather chairs designed by John Lautner

James Goldstein in front of the stairs leading down to his private bedroom

Designer fashion is part of the lifestyle of James Goldstein. He knows all the top designers in person

Never without headgear: Part of the hat collection of James Goldstein

Room with a view: Watching L.A. downtown from the daybed

James with his VIP friends: fashion guru Karl Lagerfeld and model-icon Kate Moss

James’ retreat to relax and to chill

So cool!

Also the fireplace is made of concrete, beside an African sculpture

James Goldstein and the stars … everywhere in the house are framed photographs of James and his famous friends

The fashion-king and I

James Goldstein and me

The property is surrounded by exotic plants

Jim’s car collection includes a Rolls Royce Silver Cloud convertible from the 60s …

… and a Cadilliac from the 60s

Featured pic and photos marked* © ARTJOCKS

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Striking resemblance to her great idol Marilyn Monroe: Suzie Kennedy in the Berlin lookalike show “Stars in Concert”  (Photo credit: Stars in Concert)

When Suzie Kennedy walks into a room, everyone in it takes a trip back in time. With her bleach-blonde hair, bright red lips and porcelain skin, she’s the spitting image of Marilyn Monroe. The similarities are not just skin-deep; she sings, speaks and even moves just like the glamorous Hollywood star. All in all, the resemblances pay off, not least when portraying Monroe in the internationally-renowned tribute show “Stars in Concert” as Kennedy has done for the last eight years.

“Acting was never my dream job”, Kennedy says. She wanted to be a vet, but her family couldn’t afford the tuition. She was born to a teacher and a draughtsman in Grants Pass, a city close to the Californian border in Oregon, USA. Kennedy’s parents separated when she was two years old.

She looks confusingly similar

She and her older sister grew up in London, and their father died when Kennedy was just a teenager. Her talents for singing and dancing were discovered by sheer stroke of luck, when, at the age of 15, she applied for work experience running errands for a dance school. The school let her take free ballet classes every day as payment. Afterwards, when Kennedy was studying for her A-Levels at college, people began commenting on her likeness to the Hollywood icon. An agent sent her to an audition, and she landed her breakthrough job: filming an advert for Nestlé with supermodel Naomi Campbell. From then on, the jobs came rolling in. Kennedy has worked for the likes of Citroën and Pepsi, and has appeared in international theatre, TV, and film productions. Acting alongside stars such as Ryan Gosling and Harrison Ford, she’s had roles in the documentary “Who Killed Marilyn Monroe”, the Italian film “Io & Marilyn” and “Blade Runner 2049”.

In 2016, Kennedy modelled Monroe’s iconic clothes for the auction house Julien’s Auctions. By happy coincidence, she is the same size as Marilyn was. The star was known for her curvaceous figure, but, as Kennedy stresses: “Marilyn was actually very delicate. She almost had a fragility to her.” Kennedy drastically changed her diet several years ago. Today, she is a vegetarian and stays trim thanks to her discipline, daily jogging, and working out with weights. Maintaining her flawless alabaster skin is simple in comparison: She doesn’t smoke and religiously applies a cream with SPF 50.

“I can’t just take off this look”, Suzie Kennedy says. (Photo credit: NOVA Productions)

Kennedy’s wardrobe contains 40 replicas of the Hollywood legend’s iconic outfits. Her collection includes a dress identical to the one Monroe wore when she famously sang “Happy Birthday, Mr President” for the former U.S. president John F. Kennedy: a skin-tight silky number with thousands of crystals hand-sewn onto the fabric. The original sold for 4.8 million dollars at an auction to Ripley’s Believe It or Not Museum in America. Kennedy – the name is another happy coincidence – is regularly booked to perform the birthday song, with audiences including American TV star Eva Longoria and British businessman Sir Richard Branson.

In 2017, Kennedy won the accolade “Best Female Double” in Las Vegas for her portrayal of Marilyn Monroe. It was also in L.A. that she was discovered by “Stars in Concert” producer, Bernhard Kurz, back in 2010. Since then, she’s appeared regularly in the line-up of the internationally-renowned tribute show.

Kennedy becomes Monroe on-stage, but even off-stage, she lives and breathes the spirit of the Hollywood icon. She has read every biography and watched every film Monroe has acted in. “Marilyn is my soul mate. I’m just like her: vulnerable and a little shy, but I know exactly what I want.” They also share a difficult childhood; both women grew up without a father. “I admire Marilyn for the uncompromising willpower that helped her become the most famous woman of her time.”

Marilyn, her soul mate

Six years ago, Kennedy got her first tattoo out of gratitude towards her idol – a portrait of Monroe on her right wrist. “Marilyn changed my life. Everything I do, I do because of her.” Since then, the Hollywood star is always with Kennedy. “While I was getting this tattoo, I could feel her becoming a part of me.”

Kennedy has a twinkle in her green eyes when she confesses that there are, of course, some differences between the two women. For one, Monroe’s eyes were blue, and Kennedy believes that her idol got mixed up with the wrong crowd. “I’m lucky to have such wonderful friends, not to mention a great relationship with my mother”, she reflects. “But for me, the most important thing is my faith in God.” Even when she’s performing in Berlin, Kennedy prays every day and goes to Sunday services at the American Church.

Kennedy regards Berlin as a home away from her real home in London, where she lives with her pug dog and two cats. She loves the cosmopolitan vibe of the German capital, which is relatively affordable compared to London. Her favourite spot is the “Thai Park”, where an informal weekly food market sells fresh Asian delicacies for just a few euros.

Six years ago, Kennedy got her first tattoo out of gratitude towards her idol (Photo credit: NOVA Productions)

Does she always channel Monroe in her day-to-day life? “I can’t just take off this look”, Kennedy says. She is often mistaken for Monroe when she’s out and about in the supermarket or in restaurants. “It has its benefits. I always get a table”, she laughs. However, her sensuous look has its downsides, too: some see her as a “blonde bimbo”, a stereotype that Monroe also struggled against all her life.

Is it difficult, always pretending to be someone else? “Lots of people would probably be happier if they were able to escape themselves now and then”, Kennedy answers with a smile. She has been portraying Monroe for over two decades now, but she won’t be able to play the starlet forever. Although she looks much younger than her 42 years, Kennedy is now older than her idol ever was – Monroe died at 36 under mysterious circumstances. Kennedy is well aware that the bookings will eventually dry up, marking the end of her career as a look-alike. Marilyn Monroe is her defining role, and she can’t imagine ever playing another person. “Being Marilyn isn’t a job, it’s an honour.” BvH

Suzie Kennedy hopes to perform as Marilyn Monroe in the Berlin “Stars in Concert” show at the Estrel Hotel soon again (Photo credit: NOVA Productions)

Contact and Infos:

stars-in-concert.de

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Veronica Ferres and I had a relaxing cup of tea in a hotel lobby in Berlin – we enjoyed our tea from hand-painted Kurland cups from KPM

It’s Valentine’s Day. Veronica Ferres sits in a hotel lobby in Berlin and shows me photos on her phone, showing two huge rose bouquets. “From my husband,” she reveals and smiles. Veronica Ferres is one of Germany’s most prominent actresses and is the star of numerous TV and film productions. For six years, the 54-year-old has been married to the German financial entrepreneur Carsten Maschmeyer. They live in Munich with their daughter Lilly.

Despite her busy calendar, Veronica Ferres took her time for our reunion and the Meet me for tea interview

MyStylery: Congratulations, Veronica. You recently filmed the drug thriller “Dreamland” with Oscar winner Gary Oldman. Does this make the dream of Hollywood come true?
Veronica Ferres: Hollywood has never been my priority. Nevertheless, I have played in twenty-three English-language productions since the Oscar nomination for ‘Schtonk!’. In Los Angeles I go to every casting. Mostly it doesn´t work. Here it did and I’m happy.
MS: Many German actors dream of a career in the USA. Was that the reason why you moved to Los Angeles in 2016?
VF: When you’re shooting in America, this is seen more critically here in Germany. It indicates that one is not available for the German market. In 2016, we wanted to live abroad again with our daughter for a longer period of time, before she came to secondary school in Germany, where she graduated from high school last year. And since our son was studying in Los Angeles at the time, we all lived under one roof.

There’s always something to laugh about with Veronica – we’ve known each other for more than 20 years

MS: How nice that you speak of Carstens children as your sons.
VF: They also call me mother.
MS: Really?
VF: Yes. They love me. And I love them. My daughter is in the truest sense my stomach child, the two boys are my heart children.
MS: That was not always the case.
VF: Yes, at first it was difficult. Every patchwork family faces big challenges.

Veronica Ferres: “Supermodel instead of superwoman? At some point I accepted myself as I am.”

MS: Children find it difficult to accept the new partner. How did you manage to convince the sons of you?
VF: By speaking openly about my feelings and making it clear that certain things hurt me. Both have developed great respect over the years and have seen me as a hardworking yet warmhearted woman.
MS: At that time they were almost grown up.
VF: I think infants are more open than kids in puberty.
MS: Pubescent children are characters in their own world, always in search of themselves.
VF: Exactly. My daughter is eighteen and a half (laughs). The most important thing is to empower children in their talents, to give them so much love that they are rooted in the earth and yet have the wings and the courage to explore the world. Incidentally, I learn more things from my daughter than she does from me.

I met a relaxed Veronica Ferres who is completely by herself. And even though she didn’t really want to reveal anything private in the interview, she still gave insights

MS: As a young woman you were significantly more Veronica than today. Were diets a topic then?
VF: I was and am an aficionado and wanted to be thin at the same time. Supermodel instead of superwoman. At some point I accepted myself as I am. Living with my husband has also shaped me. He is a marathon runner who is physically active every day. And my daughter too. There is nothing left for me to do but to participate. I regularly train ‘Black-Bike’, a kind of spinning where I spend an hour on the pedals, along with thirty other women in a darkened room. And I train daily with the app ‘8fit’, a workout based on deadweight. It´s good for arms and happiness.
MS: You say seasonal nutrition is important to you.
VF: In the US, I discovered Kohl, ‘Kale’, which is a big topic there. Suddenly, there are vegetables that were totally out of style, like beetroot. Our grandparents lived with the seasons. Today, raspberries are nothing special for our children. In my childhood, they only existed in late summer, when we picked them from the bushes.

Veronica Ferres loves tea

MS: Do you cook yourself?
VF: Yes. When I’m not shooting, I’m in my production office during the day, and in the evening, the family gathers to eat together at home. During the semester break, also our sons are there. The elder studied at Oxford and is now self-employed. The younger studied design in Pasadena and is still doing postgraduate studies in LA.
MS: And you drink tea.
VF: A lot, actually. However only in autumn and winter. For me, this is the cozy season in which I celebrate my rituals: In the evening before going to bed there is a bedtime tea and in the morning a detox tea. I love ginger tea, but I only drink it until 5 pm because it cleanses and induces the body. When I work and the days are long, ginger is my universal weapon and secret recipe. In addition, ginger tea strengthens the immune system.

“Turning fifty was no problem at all. I go through life with the same passion and curiosity.”

MS: You are often confronted with the status of a billionaire’s wife. Was that why you came up with the idea of ​​separation of property?
VF: That’s a matter of course to me. I also relinquish maintenance and inheritance. Carsten and I meet at eye level. I think that’s the secret of our love. My mother, who sold potatoes and coals, reminded me how important it is to stand on your own two feet. I love my husband and that’s why I married him.
MS: How was turning fifty for you?
VF: No problem at all. I go through life with the same passion and curiosity. And professionally there have been great productions since then, for example with Til Schweiger in the American version of “Honey in the Head” on the side of Nick Nolte as well as films with Keanu Reeves, Helen Mirren or Keira Knightley. I also teach in Munich at the University of Television and Film and the encounters with young authors and filmmakers inspire me very much.
MS: Do you get more demanding as you get older?
VF: I’m getting more and more relaxed. The main thing is, I’m with the right people. BvH

Veronica Ferres on Instagram

The interview series “Meet me for Tea” is sponsored by KPM – Königliche Porzellan Manufaktur Berlin.
More interviews you can find here.

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Jörg Woltmann prefers to enjoy his tea from his Kurland cup “Royal Noir” with gilded relief edge

Thirteen years ago, he bought KPM, the Royal Porcelain Manufactory in Berlin – and that before its insolvency: Jörg Woltmann, Berlin’s old hand, banker, entrepreneur. A visionary who, contrary to all expert advice, bought the long-established Berlin company for 13.5 million euros, which today employs more than 200 people, around 120 in porcelain production alone. KPM is one of the world’s oldest luxury brands – founded in 1763 by Frederick the Great, King of Prussia, it has since belonged to seven kings and emperors. Since 1872, the company has resided on the historic factory premises in Berlin-Charlottenburg, directly next to the Tiergarten, where Jörg Woltmann welcomes me in his elegant office furnished with English antiques. Tea is served between wood-clad walls and a portrait of “Old Fritz”. Of course, from KPM cups. A “Meet me for tea” interview about the love of porcelain and the preservation of a cultural asset.

The shape of the cup dates from 1790 and is still one of the classics of the KPM range. In the “Royal Noir” version with gold edge, the cup costs 1,190 euros each. I drink from a coloured Kurland cup, a so-called decorated cup. For two years they have been dishwasher safe thanks to a special glaze developed by KPM

MyStylery: What was it like when you acquired KPM 13 years ago?
Jörg Woltmann: I can still remember exactly that the notary appointment lasted from 4 p.m. in the afternoon until 5 a.m. of the next day. Continuously. Many legal subtleties had to be taken into account. The only interruption was the pizza delivery boy.
MS: In retrospect, would you invest the purchase price and the follow-up costs again?
JW: I have never regretted having bought the KPM, although many things came differently than expected. In the end, it was like building a house where everything is more expensive than previously calculated.

At the age of 32, Jörg Woltmann was the youngest banker in Germany. Today the entrepreneur is the owner of Allgemeine Beamtenbank (General Civil Servants’ Bank), hotelier and since 2006 owner of KPM Berlin

MS: KPM was on the verge of collapse. What went wrong back then?
JW: After the Second World War, the state of Berlin became the owner of the manufactory. First and foremost, efforts were made to preserve the cultural asset KPM for Berlin with state subsidies, instead of running the business in an entrepreneurial manner and promoting exports. KPM was subordinated to the Cultural Senate, which commissioned artists for the design. The only thing that disturbed them was the customer. Basically, it is difficult to make a porcelain manufactory profitable.
MS: What is the challenge?
JW: Table culture has changed a lot.
MS: Although young people nowadays spend more money on living and eating again, they save on what they have and buy their tableware from Ikea.
JW: Many lack the appreciation for the craft and the idea of how elaborate the production process of a single cup alone is. If you consider that 25 craftsmen work on a Kurland cup, that it takes 14 days and 29 steps to make it, and that it then undergoes ten quality controls, you should be respected. Today I still walk through the manufactory with great humility. What is done here is world class. I therefore hope that people will rediscover the sense of a stylishly set table, of sustainability and craftsmanship.

The son of a dressmaker has achieved his own success. “It took a little naivety to start my own bank at the age of thirty,” he says in retrospect. “I’m glad I had that naivety.”

MS: Today, many young people prefer to study handicraft. Does KPM have problems with recruiting young people?
JW: On the contrary. There are 15 to 20 applications for a porcelain painter, although the training takes three and a half years. After that, the porcelain painter needs another ten years of practical experience to be able to meet the high-quality standards. We are one of the few training companies in this field and proud of the fact that our apprentices always score top marks.
MS: Must a budding porcelain painter have talent for drawing and be able to paint “correctly”?
JW: Yes, the applicants must submit sketchbooks before they can prove their talent for this job over several days of selection. This profession is ultimately a vocation.

“I bought the manufactory when I was 59 – the right time for me. I didn’t have to prove anything anymore,” says Jörg Woltmann. “When I was almost sixty years old, I had the knowledge and experience that I could face up to this task without getting upset.”

MS: The younger generation in particular buys almost everything online today. How does KPM’s online trading work?
JW: We are very satisfied, although I had doubts at the beginning. I always thought a haptic product had to be touched before making a purchase decision. But quality and reputation speak for themselves. In the magazine “Bunte”, the mention of the must-have of the week is enough, and the number of clicks is already going up. We have developed products especially for the target group of young consumers, such as the “LAB” series, retro coffee filters and mortars. Instead of drinking from a paper cup, you now drink your coffee-to-go from the “To Go” cup from KPM.
MS: Is KPM profitable by now?
JW: If I didn’t invest so much, I could be in the black. Every year I spend between 500,000 and 800,000 euros on preserving the cultural heritage alone. This includes the archive with over 250 years of German cultural history. Drawings and forms that the architect Karl Friedrich Schinkel and the sculptor Johann Gottfried Schadow once held in their hands have to be extensively revised today. That’s why I established a foundation three years ago, into which the cultural assets are gradually being transferred. The production remains unaffected by this.
MS: You could sleep more peacefully if you hadn’t tied this task to your leg.
JW: Probably. But I bought one of the last luxury brands still available in the world. And which entrepreneur gets the chance to acquire a cultural asset? I prefer my commitment here to running around on the golf course. (laughs.) I come from the dax-controlled world of banks. Through KPM, a completely different circle of people from art and culture has opened up for me, which I find enriching.

Besides porcelain, Jörg Woltmann cultivates his second passion: cars. Among them is his favourite car, a Mercedes-Benz 300 SL Roadster from 1960, black with dark green interior. “It has never been restored before, everything is original, including the paintwork,” enthuses Jörg Woltmann. “Unfortunately, these are today more standing vehicles than vehicles.”

MS: As a post-war child, you grew up beyond luxury. Your mother brought it up from a tailor to a successful entrepreneur. Remarkable.
JW: I had a very happy childhood in which I grew up with great love and affection. Our house in Berlin’s district Lichterfelde also accommodated the production, so that we were always close to our mother. I remember how for the first time I didn’t have to wear my brother’s clothes, but got something of my own to wear: A pair of velvet trousers. That was very special, like the fine tableware, which was only served on Sundays.
MS: Did that shape your sense for porcelain?
JW: Absolutely. When I was 28, I sold my first company and bought a porcelain service from the proceeds: Kurland from KPM, which we still use at home. Daily and not just for special occasions.

“The only time I was permanently employed was during the three years of my apprenticeship at Bankhaus Hermann Lampe. After that I always worked independently and created things.”

MS: KPM in the morning, banking in the afternoon. How long do you want to face the daily struggle?
JW: My wife knows that I’m going to work till I fall down. (laughs). I’m taking it slower today and I’m also taking some vacations. We enjoy dinner together, then I relax with a swim or in the sauna. I have largely retired from active day-to-day business. But I represent the company to the outside world and network. Each day I have four invitations, four of which I receive each week.
MS: You are also an enthusiastic tea drinker…
JW: Yes, the morning begins with a freshly squeezed orange juice and a cup of tea. Then I have to eat muesli. (laughs). By the way, I get my tea from Taiwan business friends who give me green or black teas, which are not available here. Tea is my constant companion, even in the office there is always a pot in front of me. By the way, I always drink from a Kurland office cup. The tea simply tastes best from it. Taste is also connected with haptics.

International guests visiting the Federal President of Germany in Schloss Bellevue, of course, dine from tableware by KPM Berlin

MS: What happens next with the KPM?
JW: As far as personnel is concerned, KPM is well positioned. I have great confidence in my employees, many of whom are better than me. A large market today is Asia, where there is a strong demand for high-quality painted porcelain. That’s why I’m confident that the company will earn a lot of money again. KPM is the oldest manufacturing company in Berlin and I would like to preserve the manufactory for Germany.
MS: For your patriotism, the political leaders here would have to shower you with praise and recognition all the time.
JW: They do. I have already received the Federal Cross of Merit. Well, that doesn’t cost any money. (laughs) Nevertheless, I find that a cultural asset belongs in principle to the state. It just has to be managed correctly.
MS: Does it annoy you that the Berlin Senate has acted so carelessly here?
JW: Yes, from my personal point of view it does. On the other hand, I also say that – if the state is not in a position – the citizen is asked to get involved. You can’t always just hold out your hand. You also have to give something back.  BvH

Jörg Woltmann calls Prussian virtues the cornerstones of his success: diligence and sincerity. And he is proud that he and his family have always kept their feet on the ground

Contact

KPM Berlin

More “Meet me for Tea”-interviews you’ll find here.

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